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A Remedy for Hopelessness-Brydee Rood

A Remedy for Hopelessness-Brydee Rood

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When:

  • Tue 2 Apr, 9:30am – 4:00pm
  • Wed 3 Apr, 9:30am – 4:00pm
  • Thu 4 Apr, 9:30am – 4:00pm
  • Fri 5 Apr, 9:30am – 4:00pm
  • Sat 6 Apr, 10:00am – 2:00pm
  • Sun 7 Apr, 10:00am – 2:00pm
  • Mon 8 Apr, 9:30am – 4:00pm
  • Tue 9 Apr, 9:30am – 4:00pm
  • Wed 10 Apr, 9:30am – 4:00pm
  • Thu 11 Apr, 9:30am – 4:00pm
  • Fri 12 Apr, 9:30am – 4:00pm
  • Sat 13 Apr, 10:00am – 2:00pm
  • Sun 14 Apr, 10:00am – 2:00pm
  • Mon 15 Apr, 9:30am – 4:00pm
  • Tue 16 Apr, 9:30am – 4:00pm
  • Wed 17 Apr, 9:30am – 4:00pm
  • Thu 18 Apr, 9:30am – 4:00pm
  • Tue 23 Apr, 9:30am – 4:00pm
  • Wed 24 Apr, 9:30am – 4:00pm
  • Fri 26 Apr, 9:30am – 4:00pm
  • Sat 27 Apr, 10:00am – 2:00pm
  • Sun 28 Apr, 10:00am – 2:00pm
  • View all sessions

Where:

Mairangi Arts Centre, 20 Hastings Road, Mairangi Bay

Restrictions:

All Ages

Ticket Information:

  • Free Admission

Mairangi Arts Centre is pleased to welcome our first artist in residence, Brydee Rood, during the month of April.

Throughout the month, the artist will occupy the gallery space where she will conduct various research and investigations into the prevailing, prickly Gorse bush for her residency project: A Remedy for Hopelessness.

A Remedy for Hopelessness references the healing nature of the plant, the Gorse state of being, meshing with one's own feelings of despair in the face of unrelenting capitalism, human failure, climate change and extinction; working through contemporary intersections of art, landscape and ecology.

The project seeks to explore visual and conceptual narratives that stretch between the colonially rampant, golden-yellow bush and its medicinal, magical and permacultural properties; contemplating how they might relate to wellbeing through creative practice. Brydee Rood's experimentation will percolate within the gallery through the course of April.

Visitors are welcome and encouraged to observe developments in the space as they unfold through the artist's process. There may be opportunities to participate.

To begin, we present Rood's earlier work ‘BirdWalk’, a series of plywood panels with the raised yellow bumps found at the edge of pedestrian crossings. Featuring brail-like signs of tiny native bush birds, it is a work offering a relevant perspective of changing habitats, notions of safe passage through local environments and our role in declining fauna. ‘BirdWalk’ creates a segue into her new residency research project: A Remedy for Hopelessness.

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