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Still Looking: Peter McLeavey and The Last Photograph

Still Looking: Peter McLeavey and The Last Photograph

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  • Sat 15 Dec ’18, 11:00am – 5:00pm
  • Sun 16 Dec ’18, 11:00am – 5:00pm
  • Tue 18 Dec ’18, 11:00am – 5:00pm
  • Wed 19 Dec ’18, 11:00am – 5:00pm
  • Thu 20 Dec ’18, 11:00am – 5:00pm
  • View all sessions


Adam Art Gallery, Victoria University, Kelburn Parade, Gate 3, Wellington


All Ages

Ticket Information:

  • Free Admission


Adam Art Gallery

This exhibition explores the quest described above by Peter McLeavey. Unbeknownst to many, McLeavey spent almost thirty years collecting photographs, amassing a world-class ensemble of prints by some of the medium’s most significant figures.

These include William Henry Fox Talbot, Charles Clifford, Francis Frith, Eugène Atget, Berenice Abbott, Bill Brandt, Dorothea Lange, Robert Frank, and Joel-Peter Witkin. McLeavey also collected related examples of photo-media, such as photogravures by Léon Vidal, James Nasmyth, and Loewy and Puiseaux, and lithographs by Joseph Beuys, Barbara Kruger and Sherrie Levine. In addition, he acquired numerous examples of New Zealand photographs, from ambrotypes and albumen prints to contemporary art.

McLeavey claimed that ‘collections are essentially maps of the self. A diary of the self. They reflect back the lives of the collectors.’ Still Looking takes up this proposition, tracing the trajectory of McLeavey’s own collecting and measuring it against his itinerant childhood, his Catholicism, and his various intellectual, emotional and aesthetic interests.

Welcoming the opportunity to pursue art works that he wasn’t selling himself, McLeavey tended to collect particular photographers in depth and after considerable research and consideration. Most of his photographs were acquired from leading dealers in the United States and are among the finest prints by these artists that were available. McLeavey also framed each photograph in an individually designed molding, accentuating certain aspects of each image and imposing a personal perspective on the viewing experience.

The exhibition features an array of photographic images in a variety of media, along with letters and catalogues related to McLeavey’s purchases, providing a unique opportunity to reflect on the nature of collecting and to invite each visitor to ask what their own ‘last photograph’ might be.

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