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Mark Mitchell: Trig (2017)

Mark Mitchell: Trig (2017)

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When:

  • Fri 7 Jul ’17, 5:00pm – 7:00pm
  • Sat 8 Jul ’17, 10:00am – 6:00pm
  • Sun 9 Jul ’17, 10:00am – 6:00pm
  • Mon 10 Jul ’17, 10:00am – 6:00pm
  • Tue 11 Jul ’17, 10:00am – 6:00pm
  • Wed 12 Jul ’17, 10:00am – 6:00pm
  • Thu 13 Jul ’17, 10:00am – 6:00pm
  • Fri 14 Jul ’17, 10:00am – 6:00pm
  • Sat 15 Jul ’17, 10:00am – 6:00pm
  • Sun 16 Jul ’17, 10:00am – 6:00pm
  • Mon 17 Jul ’17, 10:00am – 6:00pm
  • Tue 18 Jul ’17, 10:00am – 6:00pm
  • Wed 19 Jul ’17, 10:00am – 6:00pm
  • Thu 20 Jul ’17, 10:00am – 6:00pm
  • Fri 21 Jul ’17, 10:00am – 6:00pm
  • Sat 22 Jul ’17, 10:00am – 6:00pm
  • Sun 23 Jul ’17, 10:00am – 6:00pm
  • Mon 24 Jul ’17, 10:00am – 6:00pm
  • Tue 25 Jul ’17, 10:00am – 6:00pm
  • Wed 26 Jul ’17, 10:00am – 6:00pm
  • Thu 27 Jul ’17, 10:00am – 6:00pm
  • Fri 28 Jul ’17, 10:00am – 6:00pm
  • Sat 29 Jul ’17, 10:00am – 6:00pm
  • Sun 30 Jul ’17, 10:00am – 6:00pm
  • Mon 31 Jul ’17, 10:00am – 6:00pm
  • Tue 1 Aug ’17, 10:00am – 6:00pm
  • Wed 2 Aug ’17, 10:00am – 6:00pm
  • View all sessions

Where:

Milford Galleries Queenstown, 9a Earl Street, Queenstown Show map

Restrictions:

All Ages

Ticket Information:

  • Free Admission

There is something that is simultaneously mathematically calculated and organic about Mark Mitchell’s ceramic works.

The surfaces are silky-smooth yet irregular; the interiors glow with a soft lustre yet are crazy-paved with craquelure lines; the geometries and geometricities of the external patterns are precise yet hold deliberate breaks; the colours glow and fade with subtle shifts of depth.

Our eyes are drawn to these inconsistencies, yet are held by the beauty of the results. Just as fine Persian rugs traditionally have a deliberate mistake in their construction (to honour the fact that only God can create perfection), so here we have exquisite forms which revel in their inconsistencies.

Mitchell seeks to deliberately negotiate this border between order and disorder. His interest primarily lies in the interplay of vessel shape and pattern. In works such as Gilt I, the seemingly regular pattern of gold and blue triangles wraps around the ceramic concavities and convexities, emphasising the sensuality of the bowl’s nature. In other pieces, such as the eggshell pink and grey-blue Quaver, the pattern is deliberately rent — the physical form of the ceramic has “won”.

The title of the exhibition, Trig, presents us with several meanings to contemplate. It can refer to trigonometry, the branch of mathematics dealing with the relations between the triangular planes and spheres. The term is also an archaic word meaning true or fit for purpose. As objects of art and as vessels, these works are beautifully fit for purpose in their exploration of form and surface.

The titles of individual works provide clues to their interpretation: Seed takes inspiration from natural fronds and leaves; Submerge is redolent with the deep blues of the ocean. Seam and Zip have shapes which more resemble lines of fabric, and Quartz, with its beautiful, subtle mix of whites and rose pinks, takes on the nature of the mineral its colours resemble.

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