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Hammond Gamble With Band and Solo

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When:

  • Sat 29 Jul ’17, 8:00pm – 11:55pm

Where:

The Cabana, 11 Shakespeare Rd, Napier Show map

Restrictions:

R16

Ticket Information:

  • General Admission: $19.00

Website:

Venue Website

The legend Hammond Gamble returns for a night of solo and band tunes from the great NZ song book.

"Should I Be Good or Should I Be Evil" is pure gold.

Hammond Gamble was born, the son on a New Zealander, in Lancashire, moving with his family to New Zealand and Whangarei as a 12-year-old in the early '60s. Soon after, he took up the guitar, played with various local bands and developed a passion for the blues that would favour his soon-to-be-distinctive vocal and guitar styles.

In 1974, he formed the first version of Street Talk, out front on lead guitar and vocals. It was perfect timing. Within a year, the band was fully professional and riding the first crest of what would be an extraordinary time for Kiwi rock music.

This was back in the days before radio or television gave a hoot for homegrown original rock music - but the fans surely did, famously packing out venues like Auckland's Windsor Castle and Gluepot to catch showstopping performances by Gamble and his band, who expanded from an initial trio to a five-piece.

Gamble's powerful stage presence swiftly drew career-altering attention. Chris Hillman, a former member of legendary American band The Byrds, caught a Street Talk performance during a visit to New Zealand and produced the band's first single, Leaving the Country.

Now signed to WEA Records, Street Talk went on to record two albums - their self-titled debut, which was produced by infamous American music whacko and producer Kim Fowley, and Battleground of Fun. The albums, though, never quite caught the band's in-concert firepower.

Hammond Gamble playing guitarBy the early '80s, Street Talk was rock-and-roll history and Gamble was embarking on a solo career that would spawn three albums and a number one hit in the early '90s with You Make the Whole World Smile.

Down the years, Gamble has had some frustratingly-close brushes with world domination. He's played support, at major concerts, to the likes of The Eagles, Joe Cocker, Talking Heads, Bonnie Raitt, Fleetwood Mac and Tina Turner. And he spent a period in America, on the brink of a major recording deal that never happened.

These days plays the occasional show with an electric band, but most of his live work is solo acoustic. He's working on an album of new songs, but in the meantime, Recollection is a powerful reminder of the undiminished talent of one of our rock music greats.
Colin Hogg, 2006

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