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Kim Logue& Scott Mcfarlane Glass & Painting

Sorry this event has been and gone

When:

  • Fri 4 Sep ’15, 4:00pm – 6:00pm
  • Sat 5 Sep ’15, 11:00am – 1:00pm
  • Sun 6 Sep ’15, 9:00am – 1:00pm
  • Tue 8 Sep ’15, 9:00am – 5:00pm
  • Wed 9 Sep ’15, 9:00am – 5:00pm
  • Thu 10 Sep ’15, 9:00am – 5:00pm
  • Fri 11 Sep ’15, 9:00am – 5:00pm
  • Sun 13 Sep ’15, 9:00am – 1:00pm
  • Tue 15 Sep ’15, 9:00am – 5:00pm
  • Wed 16 Sep ’15, 9:00am – 5:00pm
  • Thu 17 Sep ’15, 9:00am – 5:00pm
  • Fri 18 Sep ’15, 9:00am – 5:00pm
  • Sun 20 Sep ’15, 9:00am – 1:00pm
  • Tue 22 Sep ’15, 9:00am – 5:00pm
  • Wed 23 Sep ’15, 9:00am – 5:00pm
  • Thu 24 Sep ’15, 9:00am – 5:00pm
  • Fri 25 Sep ’15, 9:00am – 5:00pm
  • Sun 27 Sep ’15, 9:00am – 1:00pm
  • Tue 29 Sep ’15, 9:00am – 5:00pm
  • Wed 30 Sep ’15, 9:00am – 5:00pm
  • Thu 1 Oct ’15, 9:00am – 5:00pm
  • Fri 2 Oct ’15, 9:00am – 5:00pm
  • Sun 4 Oct ’15, 9:00am – 1:00pm
  • View all sessions

Where:

Kaan Zamaan Gallery, 2 Hobson Avenue, Kerikeri

Restrictions:

All Ages

Kim Logue & Scott Mcfarlane| Glass & Paintings

Kim Logue’s glass work reflects her concerns for the local environment her home Northland, New Zealand, with her most recent works focusing on the loss of New Zealand’s indigenous forests.

The tools she uses, in particular the saw, is an icon to encourage discussion about the deforestation of NZ Kauri forests and to raise questions about the price of ” progress”. The saw is a metaphor for both destruction and construction, while the fragility of glass references the balance between the two.

As well as using lead crystal casting billets, she uses locally sourced obsidian, the black volcanic glass first traded and used for tools 13,000 years ago. This references the history of trade and tool making, where the use of recycled materials ( handles ) evokes a more immediate and personal history.

The tool trade has been so essential to man’s development and is so intimately interwoven into the construction/destruction of our civilisation today.

Scott McFarlane’s new oil paintings, are all local Northland scenes complimenting Kim’s glass work. This promises to be a beautifully crafted , thought provoking exhibition by two much esteemed Kerikeri artists.

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