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Christine Cathie: Contour 2013

Christine Cathie: Contour 2013

Sorry this event has been and gone

When:

  • Sat 16 Nov ’13, 10:00am – 6:00pm
  • Sun 17 Nov ’13, 10:00am – 6:00pm
  • Mon 18 Nov ’13, 10:00am – 6:00pm
  • Tue 19 Nov ’13, 10:00am – 6:00pm
  • Wed 20 Nov ’13, 10:00am – 6:00pm
  • Thu 21 Nov ’13, 10:00am – 6:00pm
  • Fri 22 Nov ’13, 10:00am – 6:00pm
  • Sat 23 Nov ’13, 10:00am – 6:00pm
  • Sun 24 Nov ’13, 10:00am – 6:00pm
  • Mon 25 Nov ’13, 10:00am – 6:00pm
  • Tue 26 Nov ’13, 10:00am – 6:00pm
  • Wed 27 Nov ’13, 10:00am – 6:00pm
  • Thu 28 Nov ’13, 10:00am – 6:00pm
  • Fri 29 Nov ’13, 10:00am – 6:00pm
  • Sat 30 Nov ’13, 10:00am – 6:00pm
  • Sun 1 Dec ’13, 10:00am – 6:00pm
  • Mon 2 Dec ’13, 10:00am – 6:00pm
  • Tue 3 Dec ’13, 10:00am – 6:00pm
  • Wed 4 Dec ’13, 10:00am – 6:00pm
  • Thu 5 Dec ’13, 10:00am – 6:00pm
  • Fri 6 Dec ’13, 10:00am – 6:00pm
  • Sat 7 Dec ’13, 10:00am – 6:00pm
  • Sun 8 Dec ’13, 10:00am – 6:00pm
  • Mon 9 Dec ’13, 10:00am – 6:00pm
  • Tue 10 Dec ’13, 10:00am – 6:00pm
  • Wed 11 Dec ’13, 10:00am – 6:00pm
  • View all sessions

Where:

Milford Galleries Queenstown, 9a Earl Street, Queenstown

Restrictions:

All Ages

Ticket Information:

  • Free Admission

Christine Cathie has become a nationally significant glass artist with the hallmark of a distinctive visual language of articulated, banded forms containing arrested motion and defined space.

Cathie bends, twists and alters the bands and fluid forms dramatically. There is a significant interplay between glass density and mass, between tone and the constituencies of colour. Organic (as if free-hand drawn) lines declare presence inside and out. The differing surfaces of each O-void are worked in multiple ways with the direct consequences of the passage of light becoming altered and constrained and released. Visual paradoxes are built, beguiling qualities revealed, and we witness flux and dissolve where the O-voids seem at once to recede and advance while also undergoing rapid and radical changes in shape due to a changed viewing position.

The works in Contour have a noticeably aspirational quality – they stand up, reach and strive. They also collectively present a metaphorical language which directly references the Central Otago landscape and its distinctive seasons.

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