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Nigel Brown: Dusky Doubtful (2012)

Nigel Brown: Dusky Doubtful (2012)

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  • Sat 5 May ’12, 10:00am – 6:00pm
  • Sun 6 May ’12, 10:00am – 6:00pm
  • Mon 7 May ’12, 10:00am – 6:00pm
  • Tue 8 May ’12, 10:00am – 6:00pm
  • Wed 9 May ’12, 10:00am – 6:00pm
  • Thu 10 May ’12, 10:00am – 6:00pm
  • Fri 11 May ’12, 10:00am – 6:00pm
  • Sat 12 May ’12, 10:00am – 6:00pm
  • Sun 13 May ’12, 10:00am – 6:00pm
  • Mon 14 May ’12, 10:00am – 6:00pm
  • Tue 15 May ’12, 10:00am – 6:00pm
  • Wed 16 May ’12, 10:00am – 6:00pm
  • Thu 17 May ’12, 10:00am – 6:00pm
  • Fri 18 May ’12, 10:00am – 6:00pm
  • Sat 19 May ’12, 10:00am – 6:00pm
  • Sun 20 May ’12, 10:00am – 6:00pm
  • Mon 21 May ’12, 10:00am – 6:00pm
  • Tue 22 May ’12, 10:00am – 6:00pm
  • Wed 23 May ’12, 10:00am – 6:00pm
  • Thu 24 May ’12, 10:00am – 6:00pm
  • Fri 25 May ’12, 10:00am – 6:00pm
  • Sat 26 May ’12, 10:00am – 6:00pm
  • Sun 27 May ’12, 10:00am – 6:00pm
  • Mon 28 May ’12, 10:00am – 6:00pm
  • Tue 29 May ’12, 10:00am – 6:00pm
  • Wed 30 May ’12, 10:00am – 6:00pm
  • View all sessions


Milford Galleries Queenstown, 9a Earl Street, Queenstown


All Ages

Ticket Information:

  • Free Admission

Related Artists:

Nigel Brown

The body of work in Nigel Brown’s ‘Dusky Doubtful’ has its origins in a 2010 trip through Dusky and Doubtful Sounds, where Brown and four other artists were invited to re-visit the paintings and subjects of William Hodges, artist member of Cook’s second voyage to the Pacific. Speaking about his ongoing interest in Captain Cook, Brown comments that rather than historical fact, he is particularly interested in ‘myth making and the pursuit of ideas’, and his explorations of Cook over the past 15 years are a way of questioning national identity as well as examining how history is continually reinvented and restated. (1)

Images of bush-clad mountains and thundering waterfalls, as seen in Hodges’ ‘Waterfall in Dusky Bay’ (1775) has been visited again and again by New Zealand artists and with paintings such as ‘Maori Cascade’ and ‘Cook and Hodges at Dusky’ Brown continues to work within this paradigm. While acknowledging the Romantic landscapes of Hodges, Brown reconfigures the subject matter and uses his distinct style to suit his own, contemporary, audience.

Using a rich palette of expressive brushstrokes, Brown’s Fiordland abounds with energy. In ‘Maori Cascade’ the angularity of the fjord is described in confident lines of russet, gold and green. Heavy black verticals emphasise the strength of the terrain and are painted with a muscularity that fits the subject. Brown’s oft-used device of painted frames reinforce the fact that, while this work is part of a long lineage of landscape painting in New Zealand, he is creating his own myths for the land – stories within stories.

With ‘Dusky Doubtful’, Nigel Brown has created not only a collection of stunning new paintings but a collection of new histories. He encourages us to look, and then look again to find our own narratives in his works, taking his landscapes and making them our own.

1. Nigel Brown, Artist’s Statement, March 2012.

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